[A]s though he [Henry III] was infected by fury, being unable to contain his anger, he raised his voice in uproar, and ran furiously away from all who were in his chamber.1
Medieval kings such as Henry III (r. 1216–72) are regularly described in chronicles as angry—especially when challenged—and they often expressed their anger in excessive gestures. This particular passage was written by Matthew Paris, a monastic chronicler famous for not holding back his opinion on either kings or popes. Presumably his accounts of these emotional gestures might be shaped by his judgement on the king and a desire for a colourful narrative. But are these the only ways of interpreting such descriptions of royal emotional behaviour? Are they merely a means to an end, removed from reality?
Continue reading Anger, Astonishment, and other Reactions: A Medieval King’s Emotional Behaviour- Matthaei Pariensis Monachi sancti albani, chronica majora, ed. Henry R. Luards, vol. 5 (London, 1880) (Rolls Series 57), 326: ‘quasi furia invectus, nec se prae ira capiens, vocem cum clamore exaltavit, et omnes qui in sua camera fuerunt, velut furiosus aufugavit.’ [↩]