In a house affecting not only obsolete architecture, but pretending to an observance of the costume even in the furniture, the mixture of modern portraits, and French porcelaine, and Greek and Roman sculpture, may seem heterogeneous. In truth, I did not mean to make my house so Gothic as to exclude convenience, and modern refinements in luxury . . . Would our ancestors, before the reformation of architecture, not have deposited in their gloomy castles antique statues and fine pictures, beautiful vases and ornamental china, if they had possessed them?1
Continue reading Creating Space and Collection Display in British Gothic Revival Houses (1740–1860)
A farther view succeeded; that of exhibiting specimens of Gothic architecture, as collected from standards in cathedrals and chapel-tombs, and showing how they may be applied to chimney pieces, cielings [sic], windows, ballustrades, loggias, &c. The general disuse of Gothic architecture, and the decay and alterations so frequently made in churches, give prints a chance of being the sole preservatives of that style.2
- Horace Walpole, A Description of the Villa of Horace Walpole […] Middlesex (Strawberry Hill, 1784), p. iii–iv.
- Ibid. p. i.