In the run-up to the launch of the GHIL’s online exhibition ‘Forms, Voices, Networks: Feminism and the Media‘ on 23 November, 2021 at 1pm GMT, we chatted with artist and activist Mary Ann Kennedy. Kennedy is a founding member of the Photography Workshop (Edinburgh)/Portfolio Gallery and the WildFires network for women who work in and with photography in Scotland. She is currently the Programme Leader for the BA(Hons) Photography degree at Edinburgh Napier University. The interviewer is Jane Freeland, the coordinator of the International Standing Working Group and a historian of feminism and gender in modern Germany working at the GHIL.
Continue reading The Politics of Photography: An Interview with Mary-Ann KennedyAuthor: Jane Freeland
Understanding Social Change through the Digital Humanities
How has the mass media supported, enabled or challenged women’s emancipation? How have feminists used the media to promote women’s issues and rights? How have these messages been interpreted by the public? And how has this changed since the emergence of the mass press in the late nineteenth century?
Continue reading Understanding Social Change through the Digital HumanitiesConference Report: ‘Archiving, Recording and Representing Feminism: The Global History of Women’s Emancipation in the Twentieth Century’
The second meeting of the International Standing Working Group on Medialization and Empowerment was held virtually between December 10 and 12, 2020. Bringing together 29 scholars from Europe, Asia, the Middle East and North America, the conference examined the theme of “Archiving, Recording and Representing Feminism: The Global History of Women’s Emancipation in the Twentieth Century.” Drawing from an interdisciplinary methodology, it explored how processes of narrrativization and the cataloguing of knowledge, whether in the media, the archive or in historical practice, have shaped the development and understandings of women’s emancipation. Convened by Christina von Hodenberg and Jane Freeland (GHI London), alongside partners at the Max Weber Stiftung India Branch Office, the German Historical Institute Washington, D.C., the German Historical Institute Rome and the Orient Institute Beirut, the conference forms part of the international research project “Knowledge Unbound: Internationalization, Networking, Innovation in and by the Max Weber Stiftung” and is funded by the German Federal Ministry of Education and Research.
Continue reading Conference Report: ‘Archiving, Recording and Representing Feminism: The Global History of Women’s Emancipation in the Twentieth Century’The Allure of the Archive: On Frustration and Comfort in the Historian’s Craft
As an historian of gender-based violence, I’ve often come across things in my archival research that have made me feel uncomfortable, disgusted, upset and so frustrated that I want to tear my hair out. I’ve also read files that have made me laugh, smile and left me feeling deeply proud and grateful to the women who fought to entrench women’s rights and protect women from violence. For me, the archive represents a host of emotional and physical responses. The memories of back aches from long days spent sitting, of drinking terrible (but cheap) machine coffee and the small pleasure that after months of daily visits, the archivists finally remember me as ‘Frau Freeland.’
Continue reading The Allure of the Archive: On Frustration and Comfort in the Historian’s CraftThe Media, Feminism and Women’s Emancipation: The International Standing Working Group on Medialization and Empowerment
In late 2017, #MeToo began trending on Twitter. Taken up in response to growing allegations of sexual harassment in Hollywood, it quickly became a tangible way for women to show the pervasive nature of gender-based violence and harassment. #MeToo sparked a movement and global reckoning with gender inequality and revealed the mass mobilizing power of social media.
Continue reading The Media, Feminism and Women’s Emancipation: The International Standing Working Group on Medialization and Empowerment