In the early 1970s, a slim pink book designated as the first issue in a series titled Frauen(raub)druck (Women’s (Bootleg) Print) became a best-seller in the burgeoning women’s movement in German-speaking countries. To categorise the influential publication is, however, a challenging task for more than one reason. Bearing two titles but no year of publication, the book lacks unambiguous and comprehensive bibliographic information.1 Also, the editors remained anonymous, and beyond a connection with the West Berlin Women’s Centre (Frauenzentrum Berlin), it is difficult to ascertain their place in the feminist milieus of the 1970s. But importantly, by linking the movement with two distinct historical and political contexts (early twentieth-century German research on gender roles in ancient societies and 1960s US-American radical feminism), the book raises questions about how to conceptualise historical awareness in 1970s feminism. To better understand the specific relationship between past, present and future the editors imagined, we have to go back to the critical feminist thinking on the production of historical feminisms that has developed since the 1990s.Continue reading The Production of Historical Feminisms, Part One: Historical Awareness and Political Activism
- For more information on the publication and its historical context, see Johanna Gehmacher, ‘Macht/Lust – Übersetzung und fragmentierte Traditionsbildung als Strategien zur Mobilisierung eines radikalen Feminismus’, in Angelika Schaser et al. (eds.), Erinnern, vergessen, umdeuten? Europäische Frauenbewegungen im 19. und 20. Jahrhundert (Frankfurt, 2019), 95–123.