Anger, Astonishment, and other Reactions: A Medieval King’s Emotional Behaviour

[A]s though he [Henry III] was infected by fury, being unable to contain his anger, he raised his voice in uproar, and ran furiously away from all who were in his chamber.1

Medieval kings such as Henry III (r. 1216–72) are regularly described in chronicles as angry—especially when challenged—and they often expressed their anger in excessive gestures. This particular passage was written by Matthew Paris, a monastic chronicler famous for not holding back his opinion on either kings or popes. Presumably his accounts of these emotional gestures might be shaped by his judgement on the king and a desire for a colourful narrative. But are these the only ways of interpreting such descriptions of royal emotional behaviour? Are they merely a means to an end, removed from reality?

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  1. Matthaei Pariensis Monachi sancti albani, chronica majora, ed. Henry R. Luards, vol. 5 (London, 1880) (Rolls Series 57), 326: ‘quasi furia invectus, nec se prae ira capiens, vocem cum clamore exaltavit, et omnes qui in sua camera fuerunt, velut furiosus aufugavit.’ []

Perspectives on Political Parties in Nineteenth-Century Britain

Since the emergence of the first nation states in the late eighteenth and early nineteenth centuries, political parties have become one of the most important and influential actors in Western political systems. It is hard to imagine a functioning Western democracy without the presence of political parties, yet they have always been accompanied by criticism and rejection. As parties developed into elementary components of constitutional states and their tasks and responsibilities expanded, an intense theoretical preoccupation with the potential dangers they posed took place, especially in Britain.1 This debate about parties was marked by conflicting views, but the repetition and recurrence of similar lines of argument by authors at different times throughout the nineteenth century is striking.

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  1. See, for example, Arthur Aspinall, ‘English Party Organization in the Early Nineteenth Century’, English Historical Review, 41 (1926), 389–411; J. A. W. Gunn, ‘Party before Burke: Shute Barrington’, Government and Opposition, 3/2 (1968), 223–40; id., Factions No More: Attitudes to Party in Government and Opposition in Eighteenth-Century England. Extracts from Contemporary Sources (London, 1972); Paul Webb, ‘Political Partiesand Democracy:The Ambiguous Crisis’, Democratization, 12/5 (2005), 633–50, at 633–4. []

Vicarious Observation: Conveying Pleasure and Sensory Experience in Eighteenth-Century British Periodicals

The time I spent perusing the British Library’s early modern treasures—thanks to a scholarship from the German Historical Institute London—left me with much to think about for my current research project on the body and pleasure in eighteenth and early nineteenth-century periodicals. First and foremost, my time in London gave me a heightened sense of how newspapers and magazines functioned as a medium for conveying pleasure, not least as a sensory experience.

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Manuscript News Sheets: A Neglected Medium of Seventeenth- and Eighteenth-Century Europe

At the turn of the eighteenth century, newspapers had established themselves as the principal port of call for readers with a strong taste for current affairs. One hundred years after the first newspaper had been printed in Strasbourg in 1605, the new medium had spread to all parts of western and central Europe.

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