Ethiopia Illustrated: Manuscripts and Painting in Ethiopia – Examples from the Seventeenth to the Nineteenth Century

The newly published anthology Ethiopia Illustrated: Church Paintings, Maps and Drawings is a result of my appointment as Associate Fellow of the Ethiopian Academy of Sciences in 2017. The suggestion was aired to publish a volume with my research articles on Ethiopian manuscripts and paintings, which had previously appeared in a variety of journals accessible to readerships in Europe and North America, but which were not easily accessible in Ethiopia. Such a project necessitated obtaining permission to republish the articles, which fortunately was quickly forthcoming. But it also necessitated obtaining funding to print not only seven articles, but also no fewer than 146 illustrations in one volume. The Ethiopian Academy Press was keen to do so, but asked if financial assistance was available.

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The Greedy Dog – Gestures, Postures and Emotions Portraying Degrees of Vice and Virtue in the Sixteenth-Century Iyār-i Dānish

An outstanding illustration preserved as a detached folio in the Chicago Art Museum, attributed to the Mughal artist Farrukh Chela, illustrates the fable of the ‘Greedy Dog’ which forms one of the significant narratives from the Iyār-i Dānish,1 a collection of stories written by Emperor Akbar’s historian and confidant, Abul Fazl, and illustrated in 1595–1600.

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  1. The Iyār-i Dānish was a collection of animal fables, whose tales served as an educational ‘mirror for princes’ for Mughal emperors. It was translated from an earlier version composed in Timurid Herat (present day Afghanistan) during the fifteenth century, and was illustrated multiple times by Mughal artists during the final quarter of the sixteenth century. []