Recording the Dead in Early Modern London and Munich

Recording the names of the dead has a long tradition in human societies.1 Lists of the dead come in many different forms: as a call to remember the dead, as a reminder of some kind of sacrifice or traumatic event, or as a means to keep track of mortality patterns. In antiquity, we find early examples of lists of those who died in battle, while in the Middle Ages monastic necrologues recorded when a monk or nun died. In both of these cases, however, only the deaths of a select number of individuals were recorded. It is not until the sixteenth century that, at least in Western contexts, more detailed records allow us to gain a better understanding of who died when, and sometimes also where their bodies were buried.2

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  1. The third part (363–488) of Thomas W. Laqueur, The Work of the Dead: A Cultural History of Mortal Remains (Princeton, 2015) is devoted to the ‘Names of the Dead’. []
  2. On these longer-term developments, see Philip Booth und Elizabeth Tingle (eds.), A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c.1300–1700 (Leiden, 2021); Thea Tomaini (ed.), Dealing with The Dead: Mortality and Community in Medieval and Early Modern Europe (Leiden, 2018). []

An Ancient Church Father and his Victorian Audience: Christian von Bunsen’s Unusual Work on Hippolytus of Rome and its Influence on Nineteenth-Century Debates

[T]he amiable curates were politely requested to dribble out a few drops from the full fountain of their patristic lore, that poor benighted Farmer Giles in his chimney-corner might read, for the first time in his life, the talismanic name of Hippolytus.1

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  1. [Anon.], ʻHippolytus and his Ageʼ, The Eclectic Review, 8 (1854), 690–8, at 690. []